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The Krui3ers

The Krui3ers are an original four piece rock band from the Mowanjum Community in the Kimberley region of Western Australia, made up with members Kallum Mungulu, Derek Oobagooma, Edmund Jungine and Cassius Bear. Their musical style is high energy country rock combined with melodic chorus lines and distinctive guitar riffs. As direct descendants of renowned Mowanjum band Gulingi Nunga, they continue to perform their songs while bringing their own style to the strong musical culture found within the community of Mowanjum.

The Krui3ers sing of their connection to Country (Worrorra) and share their understanding from the old people and their experiences of being forced to move five times onto other Country. The songs contrast their life growing up in Mowanjum (meaning settled at last) and the comfort of going back to visit Country on the coast. The 3 in The Krui3ers represents the three tribes in the Mowanjum Community - Worrorra, Ngarynin and Wunumbal.

Rebel Child Record and South West Tour


In 2022 the Krui3ers recorded and release their first studio album, Rebel Child, named for vocalist Mungulu’s mischievous daughter Celeste, who is pictured on the album’s cover. The album was co-produced by The Krui3ers and Nicholas Allbrook, vocalist and guitarist of legendary West Coast favourites POND, and was recorded by Bill Hart at 6DBY Studio in Derby, Western Australia. Rebel Child was picked up by Melbourne label Music in Exile where they released a vinyl copy of the record. The Krui3ers made their debut performances in the country’s Southwest at Nannup Music Festival and Fremantle Arts Centre in 2023.

Words from Kalo

Music means everything. We grew up listening to music. 

We knew music from overseas before we knew the music of our people. There was no-one playing CDs around Mowanjum, but we knew music from our people performing live; it was only cassettes in the car. 

There was a lot of live music growing up, more than today. The festivals were bigger. We didn't have to wait until the floats, we had the Mowanjum Festival, Moonrise and the floats.

All of our experiences are from live music. We knew how to play before we went to school, but school gave us extra help, like the name of the chords. 

We learned music from Gulingi Nunga, they are our family and mob, we call them our uncles, the lot of us. Their music is important to the Mowanjum Community, they share stories from our old people, we carry that on. Our bands are a representation of our community. The bands and community are not separate things, even the name ‘Gulingi Nunga’ (rain coming) was given by the old people. For us and other bands, members come and go; the band is the community identity.

My uncle taught us more, he taught us Gulingi Nunga songs, they took us to the next step, he taught us how to play and sing. We started a little group from school and we made Red Alert, our first band when we were young. Ishmael Barunga had the accident and we weren’t sure if he could play again, so Cassie started playing for us and we had the name change to The Kriu3ers. 

Music was in our everyday life growing up, everybody knew the words to Gulingi Nunga, they were the biggest band in the Kimberley. 

I think it's different, but we sing about the same things, they sing about their era and we sing about ours, Broken Glass is about mob drinking, looking at the back street drinking, glass shattered. Gulingi Numga sing about thinking over, reflecting and looking back. Most of our songs were written out bush. We got inspiration for all our songs from Yaloon, our Country, saltwater country. I feel there is more to write about our own Country rather than Mowanjum, but there are still songs about Mowanjum. Settled at Last is about how we were moved, our old people were moved five times from our country in the early 1900’s. Mowanjum means ‘settled at last’ in Worrorra language. 

He’ll Be Riding was written by Gulingi Nunga members, it has come out of the Kimberley. 

Old Man was based on a book, my grandfather's fathers book, David was his name. The book is called Yorro Yorro, one little sentence caught my attention and I wrote it down on paper and thought I had to write a song about it. Sitting up late at night I could feel the old man there, I never met him, but I felt connected and could feel he was there. The line was “At sunset I levitated on my swag, into a velvet night somewhere into a trillion turning lights, as the fire burns to an amber I'm drifting off, I can still see the old man sitting across from me.”

Rebel Child was written about my little girl, Celeste, she's a little trouble maker, she doesn't listen.  

Kallem Mungulu 

Mowanjum, January 2023 

Photo credit: Jim Bob

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